Spoiler Alert: Marvel's “Thunderbolt” is a better version of “Suicide Squad”

Thunderbolts is the latest big-screen release of Marvel Studios (and its final fifth-stage movie), the Suicide Squad’s route, bringing together a group of depraved antiheroes in the name of greater benefits. Surprisingly, this is a more interesting movie than DC's rivals.

The leader accused Florence Pugh of playing the new black widow Yelena Belova. Sebastian Stan reprises Bucky Barnes again. David Harbor returns to Yelena's parental figure, Alexei Shostakov, aka the Red Guardian; Wyatt Russell is John Walker (his breeding version of Captain America first appeared in the Falcons and the Winter Soldiers, then in Captain America: Brave New World). Olga Kurylenko retakes the role of mission director, and last but not least Hannah John-Kamen as a powerful ghost.

I should clean something. I've been there Um Compare yeah There are recent Marvel movies. You can paint it into a bunch of things like oversaturation of the superhero genre, Marvel's formulaic narrative structure, or the use of tired CGI effects. Needless to say, I walked into the lightning with low expectations. Surprisingly, it succeeded beyond all of this.

Spoiler: Before I further study this review, please know Below the story destroyer. I will try most of the time without spoilers, but I can't guarantee it. Step gently.

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If it weren't for the engaging performances of Pugh and Harbour, I'm not sure if Thunderbolts would run like it. Essentially, this is Yelena's story, and almost everything else is secondary. The father-daughter conflict and bond between her and Alexei provides an emotional basis here. The history of these actors working together in the tedious Black Widow movies helps inform their characters’ history. Not to mention, they can all help them on the screen.

This is not to say that other actors don't have their own hands – they do what is necessary for the story, make things meaningful and direct the sixth stage. You can feel the chemistry and cohesion between them as they gather in their First World War. It's obvious that Marvel has set up some big things for Stage 6, and their alternative, dysfunctional dynamics make a bunch of heroes worth cheering on.

Julia Louis-Dreyfus brings some huge Veep energy, as Valentina Allegra de Fontaine is basically Amanda Waller, the Amanda Waller of this anti-hero team. Then there is Lewis Pullman playing Bob, a mysterious man Bob whose newly discovered power of God turns him into a sentinel, which you can describe as a less clever Homelander. While this guy is absolutely dangerous, his evil aspects are not shown in the movie.

This is where lightning will shake slightly. There is no story to fill the feeling of Bob's backstory. Developed a lot of time for the new superhero crew, and when it's finally time to fight the sentinel threat, there seems to be a lack of bets. Mental health is the thread that connects Bob to Yelena, ultimately informing the boss of the fight. It's poignant enough, but the rules within the world reveal a villain with a powerful yet not deadly power.

Then, there is a new Avengers: Apocalypse, which lists every Thunder actor, so obviously they will keep moving forward. This well-known safety net is the obvious crutch in the second and third acts of the entire movie.

Unlike Captain America: The Brave New World, the battle scenes that appear in thunder are completely fascinating. You can feel the team bringing these fights to life, which provides the inner street quality for the action. The use of unique camera work and practical set designs does not rely on CGI to climax the film, which is reminiscent of all the fantastic dance moves.

Sidenote: Pugh's combat capability is more tactile and trustworthy than Scarlett Johansson's previous implementation. I mean, I never want to meet the middle actress in a dark alley.

The whole movie is full of humor and is surprising. Comedy is no stranger to Marvel, but it feels like the MCU hasn't laughed lately. Thunderbolts is by no means a groundbreaking film, nor will it destroy the established narrative in this vast universe of story.

But it's not about being.

Thunderbolts breathe fresh air. It's a taste cleanser, and it'll be fun to remind viewers of a miracle movie – and I dare say, even fun. It's not an envelope, but it works on multiple levels and successfully sets the stage for Fantastic Four: Step One, which will be released this summer. What else can you ask for?